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Loudspeaker Journal coverage related to DiGiCo.
INDUSTRY · 07.22.2026
The Midnight’s Time Machines tour used house P.A. systems on its 23-date spring U.S. run while carrying video, lighting, and audio control systems to keep the production consistent. FOH engineer TJ Elias mixed on a DiGiCo SD12, while production manager and monitor engineer Hamish Dickinson used an Allen & Heath dLive, with the article detailing wireless, IEM, and microphone workflows.
INDUSTRY · 07.23.2026
Good Shepherd Church in Charlotte, North Carolina has replaced its 16-year-old house console with a DiGiCo Quantum225 at front of house. Charlotte-based WAVE supported the console selection, room acoustics work and retuning of the existing P.A., while the church’s technical team installed the desk.
INDUSTRY · 07.20.2026
Fellowship Church in Grapevine, Texas has upgraded the audio infrastructure in its 4,200-seat main campus auditorium with two DiGiCo Quantum338 digital mixing consoles. Supplied by systems integrator Clark, the consoles are now in use at the front-of-house and monitor mix positions.
INDUSTRY · 07.14.2026
The Phil Collins Story is on a 50-city North American tour, presenting Phil Collins’ Genesis and solo eras through film, live music and theatrical staging. Clair Global is supplying production, with a DiGiCo Quantum225, DMI-KLANG and KLANG:app forming the core of both front-of-house control and onstage monitoring.
INDUSTRY · 07.09.2026
FOH engineer Chris Lynch is using a DiGiCo Quantum338 on James’ Love is the Answer tour. The console’s 38-fader surface, three screens, Quantum Spice Rack, and Mustard Processing support a show built around spontaneity rather than fixed set lists.
INDUSTRY · 07.07.2026
On Laufey’s A Matter of Time tour, FOH engineer Matt Grabe is using a DiGiCo Quantum338, while monitor engineer Sebastian Mut moved from a Quantum338 to a Quantum5 for later dates. All of the consoles are supplied by Sound Image, a Clair Global brand.
INDUSTRY · 07.01.2026
Monitor engineer Cory Benson is using a DiGiCo Quantum338 on Tyler Childers’ Snipe Hunt Tour with the seven-piece band The Food Stamps. Supplied by Sound Image, a Clair Global brand, the setup can deliver up to 17 stereo in-ear monitor mixes for the artist, band, backline techs, VIP feed, and guest sit-ins.
