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Audinate has made its updated Dante Certification program available in Spanish. The free three-level curriculum offers up to 19.75 AVIXA Renewal Units and up to 10.75 CEDIA CEUs, with certifications valid for three years.
FOH engineer Chris Lynch is using a DiGiCo Quantum338 on James’ Love is the Answer tour. The console’s 38-fader surface, three screens, Quantum Spice Rack, and Mustard Processing support a show built around spontaneity rather than fixed set lists.
Ronnie Scott’s in London’s Soho has equipped its new 140-capacity Upstairs at Ronnie’s room with Shure SLX-D+ and Axient Digital PSM. The venue pairs those systems with a Yamaha S3X grand piano and a d&b sound system in a digital mic-to-monitor chain.
FOH engineer Dan Hallas is using AUDIX OMX-T, D6X, D4, MicroD, i5, and SCX1 microphones on P.O.D.’s arena tour. His live-sound credits span more than three decades and include P.O.D., Matisyahu, Esperanza Spalding, Dianne Reeves, and other artists.
Monitor engineer Lucas Pinzón used a Waves LV1 Classic and eMo IEM to build individual immersive in-ear mixes for Michael Franti & Spearhead’s short summer run. The tour ended at Red Rocks Amphitheatre and marked the camp’s first toured deployment of immersive in-ear monitoring.